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We’ve updated our Terms of Use. You can review the changes here.

Available Space

by Aquatic Fox Trio

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1.
Dejavu 03:09
Circulations of time running over our cores, Quick now, don't look behind... They're coming through the walls. Pencil me in. Oh, I've got now on my mind. We all know you're not real, But neither am I. New locations seem fine. All aboard! Here we are. Let the river run dry; no more boats Allowed on shore. Let me begin, no reason nor rhyme. We all know you're not real But neither am I.
2.
Fold 05:17
Let it go, oh, oh... Wondering divides when lust outlines the crime. Let it go. Tender glow, oh, oh... Round' about round' it's my first time to town. (Heavy sounds, watch the ground.) Let it go, oh, oh... Daddy says no. Who's got control? Let it go, let it go. Tender glow oh, oh... Pole flavored fingers fight for hidden treasures. Let it go. (Suck it down til' you drown. Suck it down til' you drown.) I think it could matter, If time played host And give me what's mine To choke out the ghost. Let it go...
3.
Induldge 03:36
4.
Vice 04:36
In the fields one day, I saw you amongst the clouds; Those days I can hardly recall. But to my surprise, with wizened eyes, Nights feel much longer, Longer in the fall. I remember a look... Timid eyes, quiet smile, And that mouth, oh that mouth That harvests right and wrong. The guilt in your bones, Conscious overtones, Wrote a sad, sad sack of songs. My, oh my! What a wonderful vice. So why, oh why Would I ever think twice? I've made up my mind- A simple resign To a life of easy-made favors. Me, myself and I got lost in the design, But don't worry, I'll find my way... I'll find it later. My, oh my, What a wonderful vice. So why, oh why Would I ever think twice? The silence tells its secrets... To me, it sounds like breathing; A face-down mellow choke out That can stop our hearts from beating. Beating, beating, beating.... My, oh my, What a wonderful vice. Why, oh why Would I ever think twice?
5.
Curse 02:48
6.
Disengage 04:07
Glorify the seams that ripped apart the dreams Of homemade family portraits, And two-minute man marches. Tell me how to feel when everything that's real Is built on second chances And suspicious perceptions. Tell me how to feel, Tell me how to feel when all is said and done. Can we be real? You can't just steal my love- It's never gone. Credit's overdue to those who "know" the truth. So tell me, Why is this shit any different? Follow my intentions. Tell me how to feel, Tell me how to feel when all is said and done. Throw the next stone, You can't be left alone with the thought That it's all just gone. It's gone, it's gone, it's gone...
7.
Consider 05:31
Back Door Knockers, Meet Elbow Droppers. Confront the morning air... Here, we'll clear The words and fears Of young tyrants who say they care... Allured by sound, Persuading high ground, We all fall down these days. Even the rising sun Believes we've come To set this house ablaze. There's a Cancer within Whose bedside grin Keeps his moonlight dances from harm. There's a Cancer within Whose bedside grin Keeps his moonlight dances from harm. When we meet in the middle, Terribly fickle, We'll all have broken arms. When we meet in the middle, Terribly fickle, We'll all have broken arms. Back Door Knockers, Meet Elbow Droppers. There's A Cancer within Whose bedside grin Keeps his moonlight dances from harm. When we meet in the middle, Terribly fickle, We'll all have broken arms. I learned of fool's rules In the mid-light's night Under the stars... We'll all have broken arms. And what do the birds have to say about this Promiscuous thrust of human lust To gobble up worms that squirm, And regurgitate lies Between sweet maiden's thighs? Lying on our backs We can fly...

credits

released May 23, 2013

Aquatic Fox Trio is:

Sarah Smith
Jared Schneider
Doug Neel

Engineered and produced by: RaganBoneman

recorded @ Cardboard Studios (foxrun/court/whiteoak satellites)

Dream Ghost Productions © 2013

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DREAM GHOST is a collaboration of musicians, artists, and entertainers to create and promote ART in its truest of forms.

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